The Surreal as Dream, and the Real
“Vasari tells how ‘he made up a wax paste and, during his walks, he would model from it very delicate animals, hollow and filled with air; when he breathed into them, they would fly; when the air had escaped, they would fall to the ground. When the wine-grower from Belvedere found a very unusual lizard, Leonardo made wings for it out of skin of other lizards and filled these wings with mercury so that they waved and quivered whenever the lizard moved; he likewise made eyes, a beard, and horns for it in the same way, tamed it, put it in a box, and used their lizard to terrify friends.’”
—Maurice Merleau-Ponty
—Maurice Merleau-Ponty, “Cézanne’s Doubt” (1945), in Sense and Nonsense, trans. Hubert Dreyfus and Patricia Allen Dreyfus (Evanston: Northwestern University Press, 1964), pp. 9-25. Merleau-Ponty has here cited Sigmund Freud from Un souvenir d’enfance de Léonard de Vinci, 65. (English translation by A. A. Brill, Leonardo da Vinci: A Study in Psychosexuality (New York, 1947).
Birds
February 2021
Acrylic on linen
55 by 51 inches (150 by 130 cm)
Private collection, Oslo, Norway.
Beyond the Window
June 2021
Acrylic on linen
55 by 51 inches (140 by 130 cm)
Private collection, Bucharest, Romania.
The Fight 2, The Fight, The Fight 3, photographed as a triptych in the artist’s studio, separated afterwards as individual works, with The Fight tilted clockwise by ninety degrees.
The Fight
June 2021
Acrylic on linen
28 by 67 inches (70 by 170 cm)
Private collection, New York, United States.
Untitled (To Alberto Giacometti)
March 2022
Acrylic on linen
54 by 34 inches (123 by 87 cm)
Being (To Willem de Kooning)
February 2022
Acrylic on linen
54 by 34 inches (123 by 87 cm)